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Artist-painter and curator, teaches Painting, Drawing and Printmaking.
  • Personal Information
    Research Areas & Other Interests
    Modern Israeli Art; Political Art; Art and Language; Structural, Systematic and Analytical Art; Realism and Observation in painting and drawing Modern photography
    Education
    M.A. Printmaking
    Central School of Art and Design, London, 1970
  • Courses
  • Publications
    Articles in Art Magazines and Catalogues (in Hebrew and English)
     
    1.
    New Techniques of Printmaking, Ziyur VePisul (Painting and Sculpture), no. 6-7, Published by the Artists Association, Israel, Spring 1974, pp. 75-77.
    2.
    Artists at the Art Department, introduction to the catalogue of the exhibition, The Art Gallery, University of Haifa, December 1983 - January 1984.
    3.
    Reaction to Events Or Analysis of Processes? in Hetz, (Arrow), A Quarterly for Thought and Education, no. 1, April 1989, pp. 49-64.
    4.
    The Intifada Photographers, in Hetz, (Arrow), A Quarterly for Thought and Education, no.   2., June 1989, pp. 41-42.
    5.
    The Son of the Cutter, an interview with Dov Feigin, in Studio no. 5, November 1989, pp. 20-23, 60.
    6.
    Reality Is Not What I See from the Window, a review of David Reeb’s exhibition, in Studio, no. 6, December 1989, p. 23.
    7.
    The Last Master, a review of Joseph Hirsch’s exhibition, in Studio no. 8, February 1990, p. 49.
     8.
    Head, a review of Gabby Ben Jano’s exhibition, in Studio no. 9, March 1990, p. 38.
     9.
    Who’s Who in Criticism, in Studio no. 9, March 1990, pp. 14 -15.
    10.
    On Artistic Printmaking, a Renaissance in Jerusalem, A talk with Arik Kilemnik, Studio no. 12,  June 1990,  pp. 13-16.
    11.
    The Awakening of the Sleeping Beauty, a review of the exhibition Printmaking Today, in Studio no. 12, June 1990,  p. 17.
    12.
    Creative Instructions, a review of Pesach Slaboski’s book, in Studio no. 16, November 1990, p. 22.
    13.
    The Landscape’s Soul, a review of Aharon Messeg’s exhibition, in Studio no. 18, January 1991, p. 41.
    14.
    A Feast of Pure Reason, an interview with Jack Levin, in Studio no. 19, February 1991, pp. 47-49.
    15.
    Gouache  with a bit of Pencil, Night’s Final Watch, Avraham Ofek: The Last Gouache Works, University of Haifa Press and the Avraham Ofek Association, 1991, pp. 33-43.
    16.
    Moshe Kupferman, Works on Paper, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, November 1992, (four pages).
    17.
    Secular Icons, a review of Hava Raucher’s exhibition, in Four by Five, no. 41,  May 1993, pp.6-7.
    18.
    Michail Grobman, Slogan and Image, Interview, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, December 1994, (four pages).
    19.
    Jenifer Bar Lev, Paintings and Cloth, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, with the participation the students Dikla Nador-Yadlin and Adi Efal, May 1995, (four pages).
    20.
    Leanness and Silence on Mount Scopus, a review of the Fine Art Department’s End of the Year Exhibition, Bezalel Academy of Art and Design, Jerusalem, in Four by Five, no. 69, September, 1995. pp. 30-32.
    21.
    Two Interesting Exhibitions Were Summoned Over the October 27th - 28th Weekend. Two views of Young Art, in Four by Five, no. 71, November 1995,  p. 61.
    22.
    Beit HaAm (The People’s House) on the Gallery, in Four by Five, no. 74, February 1996, pp. 56-57.
    23.
    Four Realist Painters, Exhibition Catalogue, The Edith and Reuben Hecht Museum, University of Haifa, May- July, 1996, pp. 4 –11, (Hebrew)  pp. 44 - 35 (English).
    24.
    Is Realism Returning as a Central Art Trend?  in Four by Five,  no. 77,  May 1996,         pp. 20 -21.
    25.
    Manufacturing and Conducting Art- on the Artostrada of the Israeli Electric Company, HaAretz (newspaper) March 26, 1998, p. B-2.
    26.
    Volume, Weight and Mineral, a few semantic comments regarding Ya’akov Dorchin’s sculpture series Blocked Well.  The University of Haifa Journal, Spring 1998, pp. 3-4.
    27.
    The Desire for Books, on the works of Naftali Rakuzin, Exhibition Catalogue, The New Haifa Museum of Art, Haifa, January- April 1999, pp. 5-12, (Hebrew) pp. 27-36 (English).
    28.
    Prohibited - Forbidden Art in Israel, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, curated by Ami Steinitz, December 1998, (four pages).
    29.
    Dina Shenhav, Works, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, with the participation of the students Livnat Offenberg and Shlomit Wolfin, January 1999, (four pages).
    30.
    Jordan Wolfson, Interior, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, February 1999, (four pages).
    31.
    Tight on the Body: Nati Amoyales, Tali Ben Bassat, Nadia Gadban-Kadri, Tova Lotan, Tamara Mesel, Ariella Shavid, Simcha Shirman, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, with the participation of the student Ofira Goldfinger,, May 1999, (four pages).
    32.
    Gal Weinstein, Installation, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, with the participation of the students Sagit Ben Micah and Adam Goldberg, December 1999, (four pages).
    33.
     
    Asad Azi, A day later I am still alive. Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, January, 2000, (four pages).
    34.
    Yarn Paintings: paintings in wool by the Huichol Tribe of Mexico, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, with the participation of the students Tali Chazut and Sally Gnad, March 2000, (four pages).
    35.
    Marilou Levin, on Tip Toes, Exhibition Leaflet, The Study Gallery of the Art Department, University of Haifa, with the participation of the students Keren Bar and Tal Daniel, April 2000, (four pages).
    36.
    When We Were Children.  Childhood and Adolescent works by the Artists at the Art Department.  Exhibition Catalogue, The Study Gallery of the Art Department, University of Haifa, with the participation of 16 students of the Exhibition Workshop.  May 2000, (twelve pages).
    37.
    Joseph Hirsch Retrospective, Exhibition Catalogue, The Art Gallery, University of Haifa, 84 pages, 33 color reproductions, pp. 5-23 (Heb.) 61-80 (Eng.)    
    38.
    Making Art Downtown, in the catalogue Downtown, Five Young Artists from Haifa, The Art Gallery, University of Haifa, 1 Nov. - 9 Dec. 2001 (12 pages)
    39.
    One Woman's Voice: On Rayah Redlich's Life and Art, in the catalogue Rayah Redlich - Fallen Halos, The Art Gallery, University of Haifa, 26 Jan. - 26 Mar. 2002 (64 pages)
    40.
    Philip Pearlstein: New Works, in the catalogue of the exhibition, The Art Gallery, University of Haifa, May 26 - August 8, 2002
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    46.                                  
    Some Comments about the Grid, an introduction to the catalogue of the exhibition Grid Images in Israeli Art, The Art Gallery, University of Haifa, November 16 2002 - January 10 2003, pp. 3-4.
    Political Art? Today?, in the catalogue of the exhibition Double Vision, the Works of Aissa Deebi & Yuval Shaul, The Art Gallery, University of Haifa, February 22 - April 10, 2003
    Why Not, Some Aspects of Contemporay Sculpture, in the catalogue of the exhibition Why Not, The art Gallery, University of Haifa, May 27 - July 31, 2003, pp. 23-19
    Land, Landscape, Gaze, Painting, in the catlogue of the exhibition Our Landscape, Notes on Landscape Painting in Israel, The Art Gallery, University of Haifa, March 13 - May 6, 2004, pp. 28-18
    A Time for Being Silent and a Time for Speaking, in the catalogue of the exhibition  Benni Efrat, Where Have the Bees Gone, Spring 2052, The Art Gallery, University of Haifa, May 29 - August 5, 2004, pp. 28-25
    Notes on Garbuz and Dorchin - The Joint Exhibition, in the catalogue of the exhibition Garbuz and Dorchin - The Joint Exhibition, The Art Gallery, University of Haifa, May 27 - august 4, 2005, pp. 60-49
     
     
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